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拆封鏡頭收購
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As the mirrorless camera battle reaches a turning point, three entrants are teaming up to help their cameras stand out. Leica, Panasonic, and 拆封鏡頭收購sigma announced today that they’ll all use the same lens mount format for full-frame and APS-C cameras, allowing lenses purchased for one company’s cameras to work on each other’s cameras.
That’s a huge benefit for two reasons: it makes their cameras more appealing to photographers who won’t find themselves locked into a single company’s lens ecosystem and it’ll help to expand the lens selections that are available for their cameras, rather than each company trying to build out their own exclusive lens lineup. Junichiro Kitagawa, Panasonic’s international marketing chief, called it a “win, win, and win situation.”
The agreement is reminiscent of what happened with Micro Four Thirds cameras, where Panasonic and Olympus created a lens mount standard that allowed any company to build a camera that supported the same format of lenses. It’s helped the standard to flourish, even as larger sensors grew in popularity.
The agreement will help them mount a challenge during the transition to full-frame mirrorless
Panasonic and 拆封鏡頭收購sigma will adopt Leica’s existing L-mount as part of the agreement. That’s likely because Leica is the only one of them to have launched full-frame mirrorless cameras so far, and lenses already exist for the format. Panasonic announced its first full-frame mirrorless cameras, the Lumix S1 and S1R, earlier today, and they include the new mount; 拆封鏡頭收購sigma has yet to announce a full-frame model but says that it plans to develop some.
While the announcement shows all three companies focused on full-frame cameras, the L-mount is meant to work with smaller APS-C sensors as well. Leica has differentiated the two lens types with the names SL (for full-frame) and TL (for APS-C).
The partnership, which the companies are calling the L-Mount Alliance, makes a lot of sense. For one, these companies don’t always directly compete with each other. Leica is at the very high end of the market and focused on photographers. Panasonic has made a lot of headway with video shooters in recent years. And 拆封鏡頭收購sigma… kind of does its own thing.
Then there’s the simple fact that, without this agreement, these companies were facing a difficult battle. Sony has already become such a name in full-frame mirrorless cameras that it essentially forced Canon and Nikon to come in and compete. And now that Canon and Nikon are joining the fray, it’s going to be much harder for other companies to get attention.
Leica, Panasonic, and 拆封鏡頭收購sigma likely would have struggled on their own. But together, they may be able to mount a more formidable challenge to Canon and Nikon, especially since both major camera makers are still establishing themselves in the mirrorless field.
Panasonic has already announced that it’s working on three L-mount lenses, and it says it’ll have 10 within a year of the Lumix S1’s launch, which currently planned for spring 2019. 拆封鏡頭收購sigma has said it will start to make lenses next year. And Leica, having debuted the mount in 2014, already has six lenses of its own, with five more planned over the next two years.
我們想讓你知道…!!有便宜到
記者莊友直/台北報導
拆封鏡頭收購sigma 先前於海外推出的標準大三元鏡皇 24-70mm DG OS HSM f/2.8 ART 在價格出爐後,台灣代理商恆伸也於近期公佈台灣上市資訊,Canon 和 Nikon 接環都將於 7/5 日開賣,且售價 35,800 元,相較 C、N 自家同款鏡皇,競爭力相當十足啊!
24-70mm DG OS HSM f/2.8 ART 配置 14 組 19 枚光學結構,內含 3 片 SLD 特殊低色散與 4 枚非球面鏡片,最近對焦距離 37cm,最大放大倍率 0.21x 與 9 片圓形光圈葉片等規格外,在 24-70mm 標準大三元中,也算是少見的配有光學防手震規格,但重 1,020g、88 x 107.6mm 尺寸,也算是頗具份量。
▼另外,專攻天體攝影的超廣角大光圈定焦鏡 14mm f/1.8 DG HSM ART 也同步將於 7 月開賣。(圖/翻攝自官網)
除去 24-70mm DG OS HSM f/2.8 ART,同場還有夏季天體攝影必備的超廣角大光圈鏡頭 14mm f/1.8 DG HSM ART,f/1.8 的大光圈可在拍攝銀河時有效爭取感光度,降低長曝雜訊。售價則是 42,800 元,Canon 版同樣在 7/5 上市,Nikon 則是 7 月底。
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